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I was
invited along to a rehearsal by AFGM to talk about the
Bristol music scene and band. Since these guys have been making music for
many years, they have plenty of advice to offer up & coming bands playing
original material.
AFGM
have been around, they have played with the likes of the Blockheads, Van
Morrison and recently Wishbone Ash. So my first question was ‘how do you
get a support slot with these big acts?’ The answer is simply
‘Professionalism’. As well as having the necessary prerequisite that the
band has a tight well rehearsed set of quality original material, you will
need a professionally produced demo CD and a quality promo package to send
to the promoters that arrange these gigs. If you spend a lot of time & money
on the promo pack and get it to the right people, then you are at stage 1.
Stage 2 is the first support gig, promoters want to use original local bands
that can bring up to 150 people and that give them as little trouble as
possible. If you want to play for the promoter a second time then you will
need to sell tickets, arrive on time, play the EXACT time slot required and
be professional at ALL times. After you have played a couple of successful
support slots to big name bands then word will start to get around and your
following WILL increase.
My
next question was about playing original music in Bristol venues. If you
have tried this you will know that the venues only want your band if it can
fill the venue with drinking punters and this is not so easy to do on a
regular basis. AFGM came up with the following tips.
- Don’t play too
many gigs. It is better to
play four times a year to a large invited audience than twice a month to a
handful of people that you have to bully along time after time. This will
also give you more time to write, record and rehearse material.
- Sell tickets.
If you sell a person a ticket for three quid they are more likely to
attend your gig than 'on a promise'. If you are playing at a venue that is
paying based on ticket sales, you will not be ripped off so badly if you
sell your own tickets.
- Ensure that the
sound is excellent. Even if it
means hiring a PA & sound guy. At this stage the event should be about
promoting your band and not making money. If you want people to attend the
next gig, get the sound right. (This is a BR tip endorsed by AFGM)
The
members of AFGM had more advice and many music related stories, but that is
for another time because I want to keep this article short. AFGM will be
organising a gig soon and that will involve finding the right venue, getting
support, promotion & ticket sales. Bristol Rocks will be running a blog on
the process of organising this event. AFGM will also be recording a new
album over 2007 and BR will also run a blog on this process. These web
logs will contain vital information for original material bands, so keep an
eye on Bristol Rocks.
Thanks
to John Telfer, Chris Melhuish, Tim Martin and Mike Dawe from AFGM for the
interview and for their participation and interest in Bristol Rocks.
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