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| Moose - Best Gigs |
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By Moose |
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I have two - sort of
a split decision, went to the judges to see if they could come up
with a points based victory, but even they couldn't decide. So, in
chronological order…… Gig #1 is back in
December 1990 and it's at the Marquee in London. Unfortunately it's
not the original Marquee in Wardour Street as that had closed a few
years earlier, but it was the 2nd incarnation on Charing Cross Road.
It had been open for a while though, and had managed somehow to pick
up at least a bit of the "vibe" that the old place had, including
the graffiti covered dressing rooms, beer stained Green Room for the
pre and post gig VIP type behaviour and the all important "Marquee"
backdrop that not even the most famous bands in the world ever
covered up with their own.
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I was the bass player in Mirror Mirror, and we
were the opening band on a bill that also included Dead On (who had
flown in from New York to play on the tour - and paid a fair few
£££'s for the privilege too) and Onslaught (who were trying to
recover from the commercial implosion that they'd suffered after
being dropped by London Records). We had
ex-and-now-current-Onslaught vocalist Sy Keeler fronting us, with
current-Onslaught guitarist Alan Jordan doing the main 6-string
thing too. Rich Akbar was also on guitar, while Jake West was on
keyboards and Lloyd Coates pounded the drums. It was the last night
of a 20-odd date UK tour, and we were as tight as the proverbial
cats arse, having honed our short-ish set to perfection as the tour
got underway.
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We took to the stage like we owned the place,
and basically killed the enthusiastic crowd with our own brand of
slightly techno-metal. Mike Exley from Metal Forces reviewed our
slot:
"Mirror Mirror had a point to prove as the
first band of the night, and made the most of their early spot by
taking the running. Blasting out a set of subtle ballads and rocking
anthems with superb keyboard runs and a strong Queensryche-like
rhythm section., the band clearly aren't thrash but their points
were firmly nailed to the mast with subtle tones like "Eternal Lady"
where Sy's charismatic vocal worked well with a stronger drum sound
and a fatter crunchier guitar section than the band had been able to
call on when I last saw them. The band are a lot more professional
now too, no doubt due to extensive dates on the road, but that all
pays dividends along the way especially when the band really rocks
out on "Number Five" it does so with a degree of charisma well above
it's years. It was not their first time in London, but I'm sure it
was their best".
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I think Mike needs to work on his punctuation,
but he clearly liked us!!!
Gig #2 is in April 1994 and is a bit closer to
home - the Colston Hall in good old Bristol. I was still a bass
player, but this time I'm in a commercial hard rock combo called
Devious. Again it was a support slot - how many Bristol based muso's
can actually lay claim to having headlined the Colston?? Not many
would be my guess….. We'd managed to secure the opening slot for
Magnum on their Rock Art tour, and having played a couple of days
earlier at their Cheltenham Town Hall gig, the buzz generated by
playing at my home town big theatre venue was awesome. I'd managed
to get some pre-gig press in the Evening Post, and we'd also ran a
competition for some after show passes, tickets and t-shirts etc via
the regular rock night at the Bierkeller - DJ/Entertainments Manager
Andy Fox was actually responsible for getting us the gig in the
first place, after Magnum's management contacted him for some local
band contact info.
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I think we'd played a little too good at
Cheltenham though, as by the time we got to the Colston gig the tour
manager and the road crew weren’t quite as helpful as they had been
previously, with a lot of the lighting desk being locked off for our
set. Still, we had our own sound man, and from what I could tell
from the stage we sounded awesome through the big PA. I had a radio
system failure during the first song, but even that wasn't gonna
take the gloss off the evening for me, as I gave it 100% for the 45
mins we'd been allocated. |
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Robin Askew reviewed us for Venue:
"As befitted the first local rock band to tread
those creaky old Colston Hall boards since Onslaught's stage diving
audience demolished several rows of seats in aid of the Bristol
Community Festival all those years ago, Devious turned in their best
performance to date, despite a mix that sacrificed clarity for
volume, especially in the guitar department. Back in Voodoo days,
vocalist Mike Blakemore's high pitched squawking often sent punters
fleeing for the exits. Now he's found a slightly lower register that
actually suits his voice, the result being a vast all-round
improvement in a band that's finally beginning to function
comfortably as a unit. A none-too-inspiring plod on CD, the guitar
driven funk of "Closer Down Easy" miraculously bursts into life on
stage, blossoming into a refreshingly loose jam to counterpoint the
precision of such a well regimented number as - cough! - "More Than
A Man". But what's this? It seems poor ol' Mike's got a severe case
of my-baby-done-gone-left-me blues that he proceeds to share with
the assembled throng in the form of "Thinking Of You", which sounds
like every Guns n' Roses song you've ever heard rolled into one.
Accompanied by Paul Godbert on acoustic guitar it's a towering vocal
performance, pitched somewhere in the Paul Rogers/Danny Bowes
territory, and the lovelorn crooner seems genuinely lost in the
lyrics. The driving "Deliverance", their best and most simple song
to date, closed a set that couldn't be faulted for its pacing and
delivery. They certainly went down well with the extraordinarily
mixed Magnum audience, which appears to span three generations from
toddlers to pensioners".
Robin obviously has a better grasp of
punctuation than Mike, and he liked us too!!
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The aftershow party thing fell a bit flat in
the end, as Magnum were more into a cheese salad sandwich and a cup
of tea than naked women, hard drugs and Jack Daniels. We made our
own little party (just the Jack Daniels though…….) in a quiet corner
and revelled in the adrenaline rush that lasted for about a week.
These two gigs were definitely the highlight
of my attempt at a musical career, and while there were individual
performances that were better, or odd happenings that also stick in
the mind despite the passing of time, nothing else comes close to
shading a gig at the legendary Marquee and the biggest (for now
anyway…….) indoor venue in Bristol.
Moose. |
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